The Best Understanding og the Cinematic Language
Let’s get into the heart of the subject. Before starting, you must first have an idea, a story to tell. Keep in mind that the following rules and concepts are only used to structure the story, not to make it interesting. From solarmoviefree.online you can find the option to watch the best movies.
Let’s first see some golden rules of cinematic language:
Rule number 1: run your plot on a single well-defined thread, and don’t change it along the way. This may seem obvious, but it is not always the case: in a film, there are often secondary plots, but the main plot must always stand out well.
Rule number 2: In the cinema, everything that is shown on the screen is shown for a very specific reason and serves to advance the story (unless we are called Hitchcock). Always keep in mind: “if a plan or a scene is not absolutely necessary for the film, then it must be deleted”. This little rule will allow you to keep your film well coherent and avoid dispersing yourself.
Rule number 3: There can be only one extraordinary event during the film, often to trigger the story, otherwise the plausibility of the story and questioning. Too many coincidences make the story less believable. When an external event unexpectedly resolves the story, this is called a Deus Ex Machina, which is a kind of divine intervention that saves the hero when everything seemed lost. As an example, we can cite the Lord of the Rings, where great Eagles come to save Frodo. This is generally to be avoided.
The general structure of a film
This strongly resembles that of a novel. First of all, a film is structured around dramatic knots. These are moments when the emotion is strongest, the most important issues. We call it dramatic intensity. To put it simply, whether it’s an action movie or a drama, the dramatic intensity is supposed to represent the heart rate of your spectators. Here is now schematically the structure followed in almost all the films:
Explanation of the scheme:
A film begins with an exhibition scene, it serves to set the scene and present the characters, we see the hero in his daily life. It is said to be in an “equilibrium” situation.
Disruptive element: an event will bring the hero out of this state of peace (example: an evil psychopath kills his wife), it is the first dramatic knot. Therefore, the hero’s goal will be to find a state of balance (he must take revenge).
This quest will lead to adventures, events, etc. These can be punctuated by secondary dramatic knots, which are reversals of the situation in the middle of the film, or even revelations (the killer was actually his brother.). In the Hollywood formula, the film thus progresses to the climax, it is the node where the intensity is maximum the nasty brother is about to shoot the hero who is suspended by a creeper which begins to give way above a 200-meter precipice at the bottom of which is a torrent infested by crocodiles.
In addition, one of the cooking recipes to end a film and to end up with the same image as that at the beginning, that is to say explicitly in the conclusion scene that the hero has found his initial situation and that life can resume its course. This technique produces a strong impression on the spectator. It gives the impression that the film is complete and well put together.